Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us. Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. How Institutions Think: Between Contemporary Art and Curatorial Discourse Notes Reflections on how institutions inform art, curatorial, educational, and … They reflect upon how institutions inform art, curatorial, educational an research practices as much as they shape the world around us. What to Research? Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. Contributors listed on the back of the book (see image). How Institutions Think. Buy How Institutions Think: Between Contemporary Art and Curatorial Discourse (The MIT Press) by O`neill, Paul, Steeds, Lucy, Wilson, Mick (ISBN: 9780262534321) from Amazon's Book Store. The first part, "Thinking via Institutions", moves from the particular to the general; the second part, "Thinking about Institutions", considers broader questions about institutional frameworks. Their motivations skew political: They aim to promote art by underrepresented figures and minorities. How Institutions Think: Between Contemporary Art and Curatorial Discourse. "How Institutions Think" is the second in a series of three publications, building upon the success of "The Curatorial Conundrum: What to Study? This anthology--taking its title from Mary Douglas's 1986 book, How Institutions Think--reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art … This anthology–taking its title from Mary Douglas's 1986 book, How Institutions Think–reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. This anthology-taking its title from Mary Douglas's 1986 book, How Institutions Think-reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art … The following 16 curators, all aged 35 years or younger, are bringing fresh, millennial perspectives to a global roster of institutions and programs. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. And Curatorial Discourse Mit Press **, this item how institutions think between contemporary art and curatorial discourse the mit press by paul oneill paperback 3161 only 17 … By Paul O'Neill (Editor), Lucy Steeds (Editor), Mick Wilson (Editor) . Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. The publication How Institutions Think: Between Contemporary Art and Curatorial Discourse brings together an international and multi-disciplinary group of writers who will reflect upon how institutional practices inform art, curatorial, educational and research practices as much as they shape the world around us. ISBN 978-0-262-53432-1 Images; Details This anthology--taking its title from Mary Douglas's 1986 book, How Institutions Think--reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art … How Institutions Think (Paperback) Between Contemporary Art and Curatorial Discourse. Contemporary art and curatorial work, and the institutions that house them, have often been centres of power, hierarchy, control, value, and discipline. Publication Date: November 24, 2017 The introduction is co-authored by the editors: Paul O'Neill, Lucy Steeds and Mick Wilson. (The MIT Press, 2016). (2017) Contributors reflect upon how institutions inform art, curatorial, educational, and research practices as much as they shape the world around us. Taking its title from Mary Douglas's 1986 book, "How Institutions Think", this anthology reconsiders the practices, habits, models and rhetoric of the institution and the anti-institution in contemporary art and curating. Free shipping for many products! Between Contemporary Art and Curatorial Discourse. The MIT Press, US. How institutions think : between contemporary art and curatorial discourse. Bringing together an international and multidisciplinary group of writers, How Institutions Think addresses such questions as whether institution building is still possible, feasible, or desirable; if there are emergent institutional models for progressive art and curatorial research practices; and how we can establish ethical principles and build our institutions accordingly. Find many great new & used options and get the best deals for How Institutions Think : Between Contemporary Art and Curatorial Discourse by Lucy Steeds and Mick Wilson (2017, Trade Paperback) at the best online prices at eBay! Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us. How Institutions Think: Between Contemporary Art and Curatorial Discourse Lucy Steeds & Mick Wilson / Paul O'Neill This anthology reconsiders the practices, habits, models and rhetoric of the institution and the anti-institution in contemporary art and curating. Contributors consider the institution as an object of inquiry across many disciplines, including political theory, organizational science and sociology. Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. This anthology–taking its title from Mary Douglas's 1986 book, How Institutions Think–reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. 9780262534321. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. ISBN 978-0-262-53432-1. The MIT Press, US. How Institutions Think: Between Contemporary Art and CuratorialDiscourse (The MIT Press) Reflections on how institutions inform art, Deals Brands Secure Excellent 4.7/5 13,018 reviews on … How Institutions Think: Between Contemporary Art and Curatorial Discourse (2017, MIT), edited by Paul O’Neill, Lucy Steeds and Mick Wilson, draws its title from a 1986 study by social anthropologist Mary Douglas.